Overthunk: Writing About Music
Writing about music is hard. Writing about writing about music is relatively easy, so that’s what I did.
Writing about music is hard. Writing about writing about music is relatively easy, so that’s what I did.
Whose fault are the GTA games, really?
Containing one (1) half-baked speculation on creative productivity, one (1) runaway metaphor, one (1) vile pun, and basically nothing else.
In which I am overly critical.
Hard Luck Woman opens with pretty much the same image that Brain Scratch closed with: television. Some details are different, of course… it’s Faye watching, rather than some anonymous audience, and rather than watching a communication from Londes, or the … Continued
Cowboy Bebop takes a turn for the self-reflective, raises doubts about the persistence of identity, and throws a dog into a minefield. Kind of a busy half-hour, truth be told.
Hey, I’m just doing my part to keep the internet buzz about Community high enough that they won’t cancel the show. It’s the season to give, after all.
Just in case you guys aren’t tired of this argument yet, here’s another take on what we should and shouldn’t say.
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Is there a point where you can’t just say “Come on, guys, it’s intertextual!”
The first post in a very occasional series finds Stokes spelunking in the grotty subconscious of Brazilian horror legend José Mojica Marins.
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