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Peter Fenzel, Mark Lee, and Matthew Wrather are joined by Jordan Stokes to overthink Maestro, Bradley Cooper’s impressionistic biopic of Leonard Bernstein and his complicated life, career, and marriage. They discuss the proper pronunciation of Bernstein, the man’s idiosyncratic place in classical music as a conductor and a composer, the film’s episodic style and narrative technique, and the film’s ambivalent message about art, creativity, and family.
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