Peter Fenzel, Mark Lee, and Matthew Wrather overthink Christopher Nolan’s Dunkirk, discussing the film’s unusual narrative technique, its status as a war movie, the extraordinarily compelling, almost primal, effect of watching the film, and some of the celebrated technical aspects (like exhibition in IMAX 70mm) and how they related to the film’s artistic project.
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Further Reading
- Dunkirk, France on Wikipedia
- Bilge pump on Wikipedia
- Little Ships of Dunkirk
- Association of Dunkirk Little Ships
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